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| − | + | I went to <a href=" http://buyxenical.storemeds.net/#transfer ">where buy xenical</a> The film is seen largely through the eyes of an alcoholic aristocrat belonging to the stock growers (John Hurt) and two class enemies: a Harvard-educated sheriff who sides with the settlers (Kris Kristofferson) and an immigrant hired gun working for the landowners (Christopher Walken). It's a powerful metaphor for 19th-century America, beautifully photographed by Vilmos Zsigmond. Among numerous breathtaking sequences is the recreation of the smoky, booming late 19th-century Casper, Wyoming, and it's significant that the one Oscar nomination went to production designer Tambi Larsen. | |
Revision as of 14:34, 11 October 2014
I went to <a href=" http://buyxenical.storemeds.net/#transfer ">where buy xenical</a> The film is seen largely through the eyes of an alcoholic aristocrat belonging to the stock growers (John Hurt) and two class enemies: a Harvard-educated sheriff who sides with the settlers (Kris Kristofferson) and an immigrant hired gun working for the landowners (Christopher Walken). It's a powerful metaphor for 19th-century America, beautifully photographed by Vilmos Zsigmond. Among numerous breathtaking sequences is the recreation of the smoky, booming late 19th-century Casper, Wyoming, and it's significant that the one Oscar nomination went to production designer Tambi Larsen.