Difference between revisions of "File:Pink Pulse.mp3"
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(I took a 9-minute audio file of pink noise and used Audacity to create segments ranging from a fraction of a second to four seconds long. I then opened these sounds in Ableton 9 and created a variety of samples by modulating EQ-8, Erosion, and Reverb audi) |
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I took a 9-minute audio file of pink noise and used Audacity to create segments ranging from a fraction of a second to four seconds long. I then opened these sounds in Ableton 9 and created a variety of samples by modulating EQ-8, Erosion, and Reverb audio effects. Shorter samples were put into an impulse kit while the long samples were put straight into Abletons Arrangement View. The piece shifts between several levels of distortion before ending with unmodified pink noise. | I took a 9-minute audio file of pink noise and used Audacity to create segments ranging from a fraction of a second to four seconds long. I then opened these sounds in Ableton 9 and created a variety of samples by modulating EQ-8, Erosion, and Reverb audio effects. Shorter samples were put into an impulse kit while the long samples were put straight into Abletons Arrangement View. The piece shifts between several levels of distortion before ending with unmodified pink noise. | ||
Latest revision as of 05:49, 11 September 2013
File:My filename.jpg I took a 9-minute audio file of pink noise and used Audacity to create segments ranging from a fraction of a second to four seconds long. I then opened these sounds in Ableton 9 and created a variety of samples by modulating EQ-8, Erosion, and Reverb audio effects. Shorter samples were put into an impulse kit while the long samples were put straight into Abletons Arrangement View. The piece shifts between several levels of distortion before ending with unmodified pink noise.
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| current | 05:44, 11 September 2013 | (938 KB) | Canesbitt (talk | contribs) | I took a 9-minute audio file of pink noise and used Audacity to create segments ranging from a fraction of a second to four seconds long. I then opened these sounds in Ableton 9 and created a variety of samples by modulating EQ-8, Erosion, and Reverb audi |
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