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| − | + | No, I'm not particularly sporty <a href=" http://ricardobarraza.com/buy-avapro-online/ ">avapro generic alternative</a> These simple components sustained a life-time of creation of works whose radically reduced elements demand of the viewer stillness, attentiveness and a yielding of one’s desire to see and know in favour of allowing the often tiny squares of canvas, or in the show, tracing paper, to reveal how much is already there. We live in an elemental world of luminosity (colour) and order (be that horizons, skies and plains —horizontals—or mountains and trees). Inviting us to contemplation of what is already there but cluttered and veiled by too much information, Martin’s works are classics of a non-gestural, non-expressionistic abstraction. | |
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No, I'm not particularly sporty <a href=" http://ricardobarraza.com/buy-avapro-online/ ">avapro generic alternative</a> These simple components sustained a life-time of creation of works whose radically reduced elements demand of the viewer stillness, attentiveness and a yielding of one’s desire to see and know in favour of allowing the often tiny squares of canvas, or in the show, tracing paper, to reveal how much is already there. We live in an elemental world of luminosity (colour) and order (be that horizons, skies and plains —horizontals—or mountains and trees). Inviting us to contemplation of what is already there but cluttered and veiled by too much information, Martin’s works are classics of a non-gestural, non-expressionistic abstraction.
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