Difference between revisions of "Launchpad Performance Andrew Yatsuhashi Final Project"
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This project is a launchpad performance of a trance-style track I produced. It utilized Ableton Live’s Session View and its direct integration with the Novation Launchpad. The track utilizes original sound design; all synth sounds were designed by me in Serum. All samples used, kick, clap, and hi-hats were heavily processed with various effects such as compression, saturation, reverb, delay, and EQ. The mastering plugin Ozpone 8 was used for the EQ’ing and some rudimentary mastering. Attached is an audio recording of the live performance I did, and an image of the launchpad and Ableton Session View. | This project is a launchpad performance of a trance-style track I produced. It utilized Ableton Live’s Session View and its direct integration with the Novation Launchpad. The track utilizes original sound design; all synth sounds were designed by me in Serum. All samples used, kick, clap, and hi-hats were heavily processed with various effects such as compression, saturation, reverb, delay, and EQ. The mastering plugin Ozpone 8 was used for the EQ’ing and some rudimentary mastering. Attached is an audio recording of the live performance I did, and an image of the launchpad and Ableton Session View. | ||
| − | [[File:Final_Project_Ableton_Session.PNG| | + | [[File:Final_Project_Ableton_Session.PNG|frameless|This is the Ableton Set in Session View with all the clips I used to perform the track]][[File:Launchpad.jpeg|frameless|Launchpad when connected to Ableton]] |
[[Category:Foundations of Music Technology (2300)]] [[Category: Advisor:Manzo]] | [[Category:Foundations of Music Technology (2300)]] [[Category: Advisor:Manzo]] | ||
Revision as of 13:55, 10 October 2019
This project is a launchpad performance of a trance-style track I produced. It utilized Ableton Live’s Session View and its direct integration with the Novation Launchpad. The track utilizes original sound design; all synth sounds were designed by me in Serum. All samples used, kick, clap, and hi-hats were heavily processed with various effects such as compression, saturation, reverb, delay, and EQ. The mastering plugin Ozpone 8 was used for the EQ’ing and some rudimentary mastering. Attached is an audio recording of the live performance I did, and an image of the launchpad and Ableton Session View.
